Human League Tribute Band:
Only Human
The Human League are a synthpop band formed in the late 1970s, who achieved great popularity in the 1980s and a limited comeback in the mid-1990s. Originally a post-punk synthesiser based group from Sheffield, England, the group has seen numerous line-up changes over the years, the only consistent member being vocalist and songwriter Phil Oake
Original line-up
The Human League emerged from the fertile music scene which emerged in Sheffield following the advent of "punk rock" in Britain in 1976. Martyn Ware and Ian Craig-Marsh, both working as computer programmers at the time, and combining a love of pop music (such as glam rock and Tamla Motown) with avante garde electronic music, acquired a Roland System 100 synthesizer and began to create music in their own rehearsal facility. Initially they formed a group called The Future with Adi Newton. Newton left to form the outfit Clock DVA, whereupon Ware and Marsh adopted the name "The Human League", and recruited Philip Oakey as a frontman.
The Human League released their first single, "Being Boiled" c/w "Circus Of Death" on Bob Last's Fast Product record label in 1978, which caused something of a stir on the independant scene. Adrian Wright joined the group, projecting slides during their live performances.
By 1979, they signed up a recording contractVirgin Records, keeping Bob Last as their manager. This four-piece line-up recorded two albums for Virgin, Reproduction and Travellogue. Despite some favourable press (for example, David Bowie called them the "future of music"), and regular live shows, commercial success appeared to be eluding them. (For instance, the single "Empire State Human", which peaked at number 62 in the charts).
Tensions grew within the group, until finally Ian Craig Marsh and Martyn Ware left to form Heaven 17, leaving Oakey and Wright with the group name, but a contractual obligation to perform a European tour.
New line-up
Wright & Oakey hastily recruited bass player Ian Burden, guitarist Jo Callis (formerly of The Rezillos) and fronted the band with two singers, Susan Ann Sulley and Joanne Catherall, schoolgirls whom they had met in a Sheffield nightclub. At the time, synthpop was starting to become fashionable due to the success of groups like OMD and Ultravox, but female vocals were rarely heard on synth records, so the addition of Sulley and Catherall gave the group a distinctive sound. Re-energized by the addition of new members, the band went on to record their breakthrough album Dare, and have many chart successes.
The band achieved their greatest success in the early 1980s with their style of dance-oriented synth-pop music. Their most famous single "Don't You Want Me" reached number one in the UK charts during the Christmas of 1981 and was one of the biggest selling singles of that year.
The band also had a number of other hits but their success faded towards the mid-1980s. Arguably, one problem was the length of time the band took to make a record. Dare! was followed by the six-song EP "Fascination" (featuring hit singles "Mirror Man" and "Fascination") as a stopgap, and it took three years to release a full-length follow-up album, Hysteria. The Jam & Lewis-produced Crash LP (1985) took another two years to release. It did provide an American number one single, "Human", but other singles made smaller chart impact.
The group made a surprise comeback in 1994. Dropped by Virgin Records after the failure of their album Romantic? (1989), the group were now signed to EastWest and their line-up included producer Ian Stanley, who helped them to achieve a more modern sound. The album Octopus went silver, and the lead-off single "Tell Me When" was the group's first major hit since "Human".
The band again took several years to make their next record. Secrets was released in 2001, and was extremely well-received by critics.
Four CDs attribute songs by The Human League under different names: on The Golden Hour Of The Future there are songs credited to The Human League when they were still The Future, on the single "I Don't Depend On You" where they call themselves The Men, on the "Dance Like A Star" EP, there are also songs attributed to The Future and on "Love And Dancing", they pay homage to Barry White's Love Unlimited Orchestra by calling themselves League Unlimited Orchestra.
Recently, the band have joined of a number of '80s revival tours, Oakey now describing this as being in a Human League tribute band.
The name "Human League" derived from the game Starforce: Alpha Centauri, which was the second professional published science fiction wargame, by SPI. In the game, the Human League arose in 2415 A.D., and was a frontier-oriented society that desired more independence from Earth and the terraforming of systems not naturally habitable.
Human League's catalogue
* Early singles:
o "Being Boiled" (single, Fast Product, 1979)
o "The Dignity Of Labour Pts 1-4" (Fast Product, 12" only, instrumental)
o "I Don't Depend On You" (single, released under the name of The Men)
* Reproduction (1979. Later re-released with 'The Dignity Of Labour Pts 1-4' Ep, the B-side of the 'Empire State Human' single (called 'Introducing'), the Fast Product label 'Being Boiled' single and an in-studio conversation titled 'Flexi Disc')
o "Empire State Human"
o "Holiday '80' " (Double EP, later reissued as two single EPs, includes new version of "Being Boiled")
* Travelogue (1980. later reissued with the "Only After Dark" single, "Holiday '80" EP, "I Don't Depend On You" and other tracks including "Tom Baker" and "Boys and Girls")
o "Only After Dark" (single)
o "Boys And Girls" (non-album single)
* Dare (1981)
o "The Sound of the Crowd"
o "Love Action (I Believe in Love)"
o "Open Your Heart"
o "Don't You Want Me?"
o "Being Boiled (Re-boiled)" (cash-in reissue released by EMI, not Virgin. Same version as the 1978 single, but runs for an extra 35 seconds and fades out rather than cutting out abruptly as on the original release)
* Love And Dancing (dub mixes of tracks from Dare, credited to League Unlimited Orchestra)
* Fascination (six-song EP with two mixes of "Fascination", "Mirror Man", and three other songs)
o "Mirror Man"
o "(Keep Feeling) Fascination"
* Hysteria (1984. Reissued on CD in 2005 with extended versions of singles)
o "The Lebanon"
o "Life On Your Own"
o "Louise"
o "The Sign"
* Crash (1986. Reissued on CD in 2005 with extended versions of singles)
o "Human"
o "I Need Your Loving"
o "Love Is All That Matters" (released to promote Greatest Hits LP)
* Greatest Hits
* Romantic? (1990)
o "Heart Like a Wheel"
o "Soundtrack For A Generation"
* Octopus (1995)
o "Tell Me When"
o "One Man In My Heart" (Lead vocal by Susan Sulley)
o "Filling Up With Heaven"
* Greatest Hits (Reissue with three extra tracks)
o "Don't You Want Me" (Remixes)
o "Stay With Me Tonight"
* The Very Best Of (By Ark 21, not EMI. Compilation from 1981-5 tracks)
* Secrets (2001. The Japanese version has three bonus tracks)
o "All I Ever Wanted"
o "Love Me Madly?" (Nukove Records. Released on CD and vinyl)
* The Very Best Of (2003. EMI, 2 CDs, CD2 is all remixes, also on DVD)
* Live at the Dome (2005. DVD)
* Live at the Dome (CD containing tracks from same concert as DVD; contains three video clips. Released July 2005)
* Original Remixes & Rarities (CD with extended versions from 12" singles and CD singles, and some B-sides. To be released November 2005)
Unofficial releases
* 'Human League Cassette' (1978)
* 'Taverner Tape' (1978)
* 'In Darkness' (a bootleg demo album)
* 'The Future Tapes' (unreleased)
* 'Dance Like A Star' (EP)
* 'The Golden Hour Of The Future'
* 'The Human League Promo Mix CD' (not available)
* 'The Human League Interview'
* "Together In Electric Dreams" was a solo single for Philip Oakey & Giorgio Moroder rather than the whole League, but has been included on Human League albums as if it were by the whole band.
* "L.A. Today" (2003) was a single from Alex Gold featuring Oakey on vocals.
* "Rock And Roll Is Dead" (2003) was a single from fellow Sheffield band, Kings have long arms, that paid tribute to Oakey and eventually was re-released with Oakey doing some guest vocals.
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